Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
"The Social History of Smoking" by George Latimer Apperson, can be purchased at Amazon.com in two different versions. Depending on the quality of the edition, prices range between $35 and $104.
From Chapter 4: So far Markham: but according to another account, when Rupert told him that there would be no battle, the Duke betook himself to his coach, "lit his pipe, and making himself very comfortable, fell asleep." The original authority, however, for the whole story is to be found in a paper of notes by Clarendon on the affairs of the North, preserved among his MSS. In this paper Clarendon writes: "The marq. asked the prince what he would do? His highness answered, 'Wee will charge them to-morrow morninge.' My lord asked him whether he were sure the enimy would not fall on them sooner? He answered, 'No'; and the marquisse thereupon going to his coach hard by, and callinge for a pype of tobacco, before he could take it the enimy charged, and instantly all the prince's horse were routed."
From Chapter 6: John Philips, the author of "Cyder" and the "Splendid Shilling," was an undergraduate at Christ Church, during Aldrich's term of office, and no doubt learned to smoke in an atmosphere so favourable to tobacco. In his "Splendid Shilling," which dates from about 1700, Philips says of the happy man with a shilling in his pocket:
Meanwhile, he smokes, and laughs at merry tale, Or Pun ambiguous or Conundrum quaint. But the poor shillingless wretch can only doze at home In garret vile, and with a warming puff Regale chill'd fingers; or from tube as black As winter-chimney, or well-polish'd jet, Exhale Mundungus, ill-perfuming scent. >The miserable creature, though without a shilling, yet possessed a well-coloured "clay."
It is significant that the writer of a life of Philips, which was prefixed to an edition of his poems which was published in 1762, after mentioning that smoking was common at Oxford in the days of Aldrich, says apologetically, "It is no wonder therefore that he [Philips] fell in with the general taste ... he has descended to sing its praises in more than one place." By 1762, as we shall see, smoking was quite unfashionable, and consequently it was necessary to explain how it was that a poet could "descend" so low as to sing the praises of tobacco.
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From Chapter 10: Sir G.W. Forrest, in his book on "The Indian Mutiny," tells how at the siege of Lucknow, as the month of August advanced, "the tea and sugar, except a small store kept for invalids, were exhausted. The tobacco also was gone, and Europeans and natives suffered greatly from the want of it. The soldiers yearned for a pipe after a hard day's work, and smoked dry leaves as the only substitute they could obtain." Mr. L.E.R. Rees in his diary of the same siege noted—"I have given up smoking tobacco, and have taken to tea-leaves and neem-leaves, and guava fruit-leaves instead, which the poor soldiers are also constantly using." The neem-tree is better known, perhaps, as the margosa. It yields a bitter oil, and is supposed to possess febrifugal properties.
From Chapter 15: A frequent sign-device among dealers in snuff was the Crown and Rasp. The oldest method of taking snuff, says Larwood, in the "History of Signboards," was "to scrape it with a rasp from the dry root of the tobacco plant; the powder was then placed on the back of the hand and so snuffed up; hence the name of râpé (rasped) for a kind of snuff, and the common tobacconist's sign of La Carotte d'or (the golden root) in France." Râpé became in English "rappee," familiar in snuff-taking days as the name for a coarse kind of snuff made from the darker and ranker tobacco leaves. The list of prices and names given by Wimble, a snuff-seller, about 1740, and printed in Fairholt's "History of tobacco," contains eighteen different kinds of rappee—English, best English, fine English, high-flavoured coarse, low, scented, composite, &c. The rasps for obtaining this râpé, continues Larwood, "were carried in the waistcoat pocket, and soon became articles of luxury, being carved in ivory and variously enriched. Some of them, in ivory and inlaid wood, may be seen at the Hotel Cluny in Paris, and an engraving of such an object occurs in 'Archæologia,' vol. xiii. One of the first snuff-boxes was the so-called râpé or grivoise box, at the back of which was a little space for a piece of the root, whilst a small iron rasp was contained in the middle. When a pinch was wanted, the root was drawn a few times over the iron rasp, and so the snuff was produced and could be offered to a friend with much more grace than under the above-mentioned process with the pocket-grater."
